JANUARY-FEBRUARY 2026 ORIGINS ============================= The visible 2026 SoundCloud chronology begins on New Year's Day with a station-return anthem, three mothership approaches, raccoon labor, Ed Wood tributes, and vortex transmissions. February then sharpens the identity into a webmaster mythology built from live rendering, private infrastructure, media archaeology, UFO spectacle, and bass pressure. FEBRUARY 24-28: THE ARCHITECT, HOSTESS, AND MACHINE ROOM -------------------------------------------------------- Feb 28 1 POINT OOOOH SNAP! 03:10 Feb 28 Ramming Heart (v3) 04:01 Feb 27 Gravity Cannon Dropping Asses 04:13 Feb 27 Canvas in the Sky 05:09 Feb 26 Night Feeder / Nitetime Drift 03:32 Feb 26 Brain Off, Booty on Repeat 01:29 Feb 26 The Stars of The Narcissism 02:48 Feb 26 Specificity King of the CSS Battle 03:00 Feb 26 The Hostess Always QAs Twice 02:35 Feb 25 Admin Privilege 03:07 Feb 25 Hostess with the Mostest (Nitetime.net) 03:17 Feb 25 KAIJU BOUNCE (NITETIME.NET EXCLUSIVE) 03:34 Feb 25 HACK THE MAINFRAME! 04:05 Feb 24 Tweet Me, Cowards 03:28 The old web wakes with a 130 BPM Dot Com 1.0 shuffle. A storm-chasing ramming song converts pressure into commitment, while Canvas in the Sky places a UFO and a 1970s horn section inside a Renaissance painting. Night Feeder slows the room into worldbeat seance and field recording; the club tracks answer with raccoons, kaiju bass, and neon spectacle. The Architect and Hostess arrive as complementary system figures. He builds, controls, and sometimes over-identifies with the machine. She tests the result, asserts administrative authority, and deletes failed reality. CSS specificity, QA, mainframe defense, and server ownership become characters rather than background jargon. Tweet Me, Cowards closes the group as swagger performed into an empty digital theater. FEBRUARY 14-20: MANIFESTOS, BREACHES, AND THE DEAD WEB ------------------------------------------------------ Feb 20 BEND THE NET 04:16 Feb 20 503 Service Unavailable: Universe Terminated. 03:03 Feb 20 An Alien Fantasy Landing In the Grass 04:20 Feb 18 The Nitetime Landing Signal 07:24 Feb 18 The Porch Light on the Dead Web 04:16 Feb 17 Bending the Internet to My Will 03:10 Feb 17 War at Nitetime (Mass Extinction Evedit) 03:33 Feb 17 War at Nitetime - UFO Film Apocalypse 03:49 Feb 15 GO LOOK IT UP 03:49 Feb 14 ANGORA CONFESSIONAL (GLEN_OR_GLENDA) 02:26 Feb 14 Shipped_ Not Hypothetical 03:51 Feb 14 Render It Live 03:02 Bend the Net and Bending the Internet to My Will turn DNS, routing, latency, cookies, sessions, and BGP into terminal-window power fantasy. The 503 track scales a service failure up to planetary collapse. Two landing songs bring psychedelic funk and festival-field absurdity, while Porch Light identifies nitetime.net as a protected habitat for human signal on an increasingly automated web. The two War at Nitetime versions establish raccoons as custodians of forbidden film during a black-metal and dubstep apocalypse. Go Look It Up treats archaeology as footnoted hip hop. Angora Confessional reads Glen or Glenda as an early identity manifesto. Shipped_ Not Hypothetical and Render It Live provide the clearest operational statements: accumulated technical work, live systems, contextual archiving, and the duty to keep what is shipped alive. EARLY FEBRUARY AND JANUARY: RETURN OF THE SIGNAL ------------------------------------------------ Feb 7 NITETIME (AFTER DARK VERSION) 03:25 Jan 25 Midnight Rebirth [MAX DESTRUCTION CUT] 09:04 Jan 11 Commercial Break_ Ashes to Applause 03:27 Jan 6 Song 2 - Midnight Rebirth 05:12 Jan 6 N I T E T I M E DOT NET 02:27 Jan 6 Nitetime hums inside my bones 03:58 Jan 4 Nitetime En Douceur 04:01 Jan 3 Ed Wood, Oh Naughty Ed Wood 03:09 Jan 3 Nitetime Fever 02:48 Jan 3 Esperanto (Move & Learn Mix) 03:18 Jan 3 Esperanto (Still Moving & Learning Mix) 02:59 Jan 3 Esperanto Groove 03:17 Jan 3 Nitetime_Invaders: Eclipse Version 03:10 Jan 3 Nitetime_Invaders 03:32 Jan 2 Nitetime After the Vortex 03:39 Jan 2 Nitetime in the Vortex, We Manifest 03:18 Jan 1 Clampetts streaming at Nitetime 02:34 Jan 1 Mothership 3 03:36 Jan 1 Mothership 2 03:48 Jan 1 All Roads 05:07 Jan 1 WEIRDO PACK (Hollywood Baby) 02:52 Jan 1 Ed Wood - The Hardest Working Man in Hollywood 03:16 Jan 1 The Raccoon Summoning 03:32 Jan 1 Raccoon Rampage at Nitetime 01:56 Jan 1 Nitetime.net is Back 03:09 Jan 1 Mothership 1 03:06 The sparse early metadata is itself useful evidence: these tracks form the public opening movement before the later review-like descriptions become elaborate performances. Rebirth, fever, Esperanto movement, invaders, vortexes, and motherships supply the first vocabulary. The January 1 material already contains the whole future station in miniature. Nitetime.net returns as a broadcast tower. Raccoons take the garage controls and recover film. A summoning reveals that the supposed operators may themselves be operated. Ed Wood represents sincere work without permission, and silver craft hover over a retro-futurist town. CATALOG NOTE ------------ This completes the supplied RSS channel through its closing tags. The archive summarizes the feed's descriptions rather than presenting them as literal endorsements or verified first-person statements by the public figures whose voices the descriptions imitate.